exactly.. and Steve said that they wanted to stay clear from pro tools in the making of UH so..Simon wrote:To me the sound is just fine, even the Skumfuk pre-master mix. Drums are powerful and clean, guitars and vocals are in good balance and you can hear the bass pretty good. Actually I think it sounds much better than Chuck because there the drums were a bit too hifi (lots of top and bottom frequencies, almost no mids) and kind of noisy, they didn't have the even punch of real drums. DTLI seemed to be the best one from a production point of view. AKNF was overproduced with the pitched crash cymbals and shit. UH was decent, but a bit weak.
So, my audio engineer's ears are very pleased with SBM so far.
but I think that the weak drums and guitar in the intro are meant to be that way.. it gets pretty heavy when the rythm guitar kicks in... and I like it!
I really like the sound of the bass drum when the intro ends and the 1st verse begins.. and the vocals sound epic I like how the song has 3 different kinds of vocals.. the really soft ones in the intro and outro.. the kinda distorted vocals during the verses and the heavy ones during the chorus.. not to mention the backing vocals that sound really nice.. I like the way he 'supports' the lead vocals during 'I don't got the patience or the time' and when he stops doing that he starts doing those oooohs and aaaahs.. those sound really good and remind me of how he did those in there's no solution..
all the other backing vocals sound well placed as well..
and I like how Cone gets his moment to shine during the first verse